Solo Exhibitions
2019 — La Ley, L’Automática, Barcelona, ES2017 — Void Strike, Fontrodona Gallery, Amsterdam, NL
2015 — Periferia Blend, Homesession, Barcelona, ES
2015 — Libro VII, Espai Colona, Barcelona, ES
2014 — Metacollage, Galerie T, Düsseldorf, DE
2014 — Editorial, Perceptual Studio, Medellín, CO
2014 — L’air du temps, Barcelona, ES
2011 — Les Habilitats, CCCM, Barcelona, ES
2007 — Plantot, Can Felipa, Barcelona, ES
2005 — Archivos Mayo, Espai Zero1, Olot, ES
Selected Group Exhibitions
2026 — 20 Minuts al Marge, Bòlit, Girona, ES2024 — Intersticios, La Parcería, Madrid, ES
2020 — Spring Salon, Galerie Slatten, Malmö, SE
2019–2021 — Elogi del Malentés (itinerant), Catalunya, ES
2017 — Hecha la ley hecha la trampa, Rio de Janeiro / Madrid, ES/BR
2017 — Intervalo, Las Cigarreras, Alicante, ES
2017 — Fantasmes al mur, ACVic, Vic, ES
2016 — Long live the old flesh, Nogueras Blanchard, Barcelona, ES
2016 — SWAB Art Fair, Barcelona, ES
2016 — Prints, Editions and Artist Books, London, UK
2014 — Todo empezó con un salmón, Helsinki, FI
2012 — Screeners, Brussels, BE
2004 — Bienal del Caribe, Santo Domingo, DO
2003 — Joystickers, CCCB, Barcelona, ES
Education
2021 — Post-Master, Konstfack University of Arts, Stockholm, SE2007–2009 — MA, Comparative Studies in Literature, Art and Thought, UPF, Barcelona
2000–2004 — BA Fine Arts, University of Barcelona
1998–2000 — Visual Arts, Universidad Nacional de Colombia
Residencies
2015–2017 — Hangar, BarcelonaWorkshops & Teaching
2019–2020 — Blue Lab (Program Coordination), Blueproject Foundation, Barcelona2017–2015 — Exótica workshop series, various institutions
Publications
2017 — Paratext #1, Hangar2014 — Dark Matter, MACBA Archive
2005 — Aesthetics of Error, neural.it
2004 — Street Logos, Thames & Hudson
2003 — The Art of Rebelion, Ginko Press
Andrea Gómez works across painting, drawing, and graphic processes to examine how images operate as systems of knowledge. Her practice focuses on the intersections between scientific, mythological, and cultural visual regimes, exploring how meaning is constructed and destabilized through representation.
She treats analog and digital logics as interdependent structures shaping contemporary image-making, often reworking scientific diagrams, classificatory systems, and archival imagery alongside speculative and myth-based references. This approach allows her to question assumptions of neutrality embedded within visual systems and their institutional frameworks.
Through processes of layering, fragmentation, and reproduction, she produces images that resist fixed interpretation and remain open, unstable fields of reading.
Her practice ultimately reflects on the limits of representation—how images generate, distort, and exceed meaning, and how these moments of instability can open alternative forms of visual understanding.
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contact:
hola@andreagomez.info